--> Al & Leon Shim Sham in The Spirit Moves
Made popular by Al Minns and Leon James. No particular song is matched with this version of the Shim Sham. It can be danced to any song with the typical 32-bars - four times eight - structure, for example Flying Home as mentioned above.
The Dipsy Doodle - Ella Fitzgerald
Using different jazz routines was a way of varying our act a little bit for the patrons who sometimes stayed on from the first to the second show. We had another number called Bibeau (the nickname of the guy who created it for us), and one that I choreographed and named in tribute to the chorus girl who inspired it. I knew Tranky Doo (her nickname) from the Club DeLisa in Chicago, and she could really get down. Oftentimes, in show business, as the chorus girls were exiting the state, one of the best dancers would be featured at the end of the line doing a couple of special steps before going into the wings. Tranky Doo held that spot. I used her exit steps, fall-off-the-log, shuffle, and bogeys, for the beginning of a moderate-tempo, two-chorus routine, made up of a bunch of other jazz steps that I put in a certain order. We sometimes did the Tranky Doo for an encore. p. 209 - Frankie Manning, Ambassador of Lindy Hop
It was danced and later taught by Frankie Manning using Tuxedo Junction for music. The Rythm Hot Shots - now Harlem Hot Shots - added a few steps and dance the routine to faster music as done in this video.
In 1987 The Spirit Moves came out. A documentary on the history of black social dancing. They dubbed over the Tranky Doo using the Dipsy Doodle as the original footage had no sound, even though the structure of the song does not fit that of the routine. As a result, today, the Tranky Doo is danced almost exclusively to the Dipsy Doodle.
Big Apple Contest - The Solomon Douglas Swingtet (2:58)
Big Apple Contest - Orquesta Brazofuerte (2:46)
The Harlem Hot Shots dancing the Big Apple to The Jeep is Jumpin'
The Big Apple was a dance craze in New York in 1937. Dancers in a circle would perform the steps shouted by a caller in the middle. The craze didn't last very long, but the routine inspired by it is still danced at lindy events all over the world.
After filming Day at the Races, Whitey1 got a contract for the movie Everybody Sing (1938). A crew of Lindy Hoppers, including Frankie Manning drove out to the West Coast for filming.
Shortly after we arrived in California, I received a letter from Whitey telling me about a new dance craze in New York called the big apple. As I've mentioned, he liked mixing the newest trends in with the Lindy so it would be more popular. I had never heard of the big apple, but he explained that it had various jazz steps like truckin', Suzie-Q, and boogies. It was done in a circle with a caller in the middle who called out the steps and was supposed to represent the core. That's all Whitey told me in his letter. He didn't say where or when to do each step, or anything about the music, which was swing, of course.
And so the routine Frankie created for the movie got based on the big apple description in the letter.
I was the caller in Everybody Sing because it was the first time we had done the big apple, and Whitey's letter described it that way. Afterwards, I realized that we didn't really need a caller anymore because the order of the steps was choreographed and the dancers followed that. p. 143, 151 - Frankie Manning, Ambassador of Lindy Hop
Following Everybody Sing, a lot of slightly different versions were made. The big apple version we know and dance today, is the one featured in the 1939 movie Keep Punching.
1 Herbert White. Manager of Whitey's Lindy Hoppers
Hand Clappin' - Red Prysock
Mama Stew at Swing Family Festival 2017
The Mama Stew routine comes from the early days of swing where it was used by Whitey's lindy hoppers as a warm up. As a former hostess of the famous Savoy Ball room, Louise - Mama Lu - Parks was instrumental in keeping lindy hop alive after the closure of the Savoy. She kept the Harvest Moon Ball going and performed lindy for decades to come.
Trickeration course by Sarah & Dax
A well known yet challenging solo jazz routine. Story goes it was used as an audition choreo for Norma Miller's dance troupes.